Skip to main content

Why is it so gut-wrenching?

The game mentioned.
I still have it.
I was just listening to a piece on the radio about a show that is being put together to commemorate 9/11 in the US. Listeners have been asked to select a piece of music they feel works best for such memories. By far and away the most popular choice is Samuel Barber's Adagio for Strings.

I agree absolutely, but can anyone explain why this piece is so visceral? How do a few notes, strung together in a particular way, manage to cut through the emotions so surgically? I know music always influences the emotions - there are plenty of songs that bring a smile to the face, for example. But Adagio for Strings (and for me, even more so Barber's vocal adaptation, the Agnus Dei) is unequalled in its ability to manipulate.

A long time ago (in a galaxy far, far away) one of the things I used to do to bring in the pennies was review computer games. It was as the backing track to the opening sequence of a game that I first came across this piece (back then it wasn't played on the radio anywhere near so often). The backstory of the game involved the evacuation of a planet, and as the screen showed the ship departing from a dying world, the backing track of Barber's Agnus Dei worked magnificently.

I don't know if anyone has researched it, but I'd be fascinated to know why this particular piece is so powerful.

So go on. Have a wallow:

Comments

Popular posts from this blog

Why I hate opera

If I'm honest, the title of this post is an exaggeration to make a point. I don't really hate opera. There are a couple of operas - notably Monteverdi's Incoranazione di Poppea and Purcell's Dido & Aeneas - that I quite like. But what I do find truly sickening is the reverence with which opera is treated, as if it were some particularly great art form. Nowhere was this more obvious than in ITV's recent gut-wrenchingly awful series Pop Star to Opera Star , where the likes of Alan Tichmarsh treated the real opera singers as if they were fragile pieces on Antiques Roadshow, and the music as if it were a gift of the gods. In my opinion - and I know not everyone agrees - opera is: Mediocre music Melodramatic plots Amateurishly hammy acting A forced and unpleasant singing style Ridiculously over-supported by public funds I won't even bother to go into any detail on the plots and the acting - this is just self-evident. But the other aspects need some ex

Is 5x3 the same as 3x5?

The Internet has gone mildly bonkers over a child in America who was marked down in a test because when asked to work out 5x3 by repeated addition he/she used 5+5+5 instead of 3+3+3+3+3. Those who support the teacher say that 5x3 means 'five lots of 3' where the complainants say that 'times' is commutative (reversible) so the distinction is meaningless as 5x3 and 3x5 are indistinguishable. It's certainly true that not all mathematical operations are commutative. I think we are all comfortable that 5-3 is not the same as 3-5.  However. This not true of multiplication (of numbers). And so if there is to be any distinction, it has to be in the use of English to interpret the 'x' sign. Unfortunately, even here there is no logical way of coming up with a definitive answer. I suspect most primary school teachers would expands 'times' as 'lots of' as mentioned above. So we get 5 x 3 as '5 lots of 3'. Unfortunately that only wor

Which idiot came up with percentage-based gradient signs

Rant warning: the contents of this post could sound like something produced by UKIP. I wish to make it clear that I do not in any way support or endorse that political party. In fact it gives me the creeps. Once upon a time, the signs for a steep hill on British roads displayed the gradient in a simple, easy-to-understand form. If the hill went up, say, one yard for every three yards forward it said '1 in 3'. Then some bureaucrat came along and decided that it would be a good idea to state the slope as a percentage. So now the sign for (say) a 1 in 10 slope says 10% (I think). That 'I think' is because the percentage-based slope is so unnatural. There are two ways we conventionally measure slopes. Either on X/Y coordiates (as in 1 in 4) or using degrees - say at a 15° angle. We don't measure them in percentages. It's easy to visualize a 1 in 3 slope, or a 30 degree angle. Much less obvious what a 33.333 recurring percent slope is. And what's a 100% slope